When I write about the music of Brian Wilson and the Beach Boys, I start with this disclaimer—I’ve been a fan since “Little Saint Nick” was released as a single in 1963.
That was over sixty years ago, but I still have a place in my old heart for their music.
When Al Jardine, one of the founding members of the Beach Boys, announced that he and the Pet Sounds Band would be playing at the Shenandoah Valley Music Festival in Orkney Springs, Virginia on Friday, August 7, 2026, within a day, I had purchased tickets for my wife and me.
Needless to say, I couldn’t wait for August 7 to arrive.
I also made arrangements to stay on the grounds for the concert. Shrine Mont, the organization responsible for the facilities where the festival takes place also offers lodging and family style meals. So we booked accommodations for staying overnight after the concert.
As we neared August 7, we made final checks about our tickets and room reservations. My sister and her husband followed our game plan for attending the concert. They would be making the drive from Snow Camp, North Carolina.
On the morning of Friday, August 7, our goal was to be on the road by 9. We only missed that mark by a few minutes.
From Richmond, we took Interstate 64 west, to Interstate 81 north, followed by US 11, and a couple of turns on Virginia roads that would take us into Orkney Springs.
A significant, single car accident on I-64 west just before Wintergreen slowed us down as did a paving project on the main road into Orkney Springs.
But by 5 p.m. we were all checked in and ready for dinner. Prior to the start of dinner, the Pet Sounds Band was doing a sound check. Hearing the music and voices only made me more excited.
Even though the band was playing under a roof, and our seats were inside the covered pavilion, the forecast leaned toward rain and maybe a thunderstorm hitting the area by 8 p.m. The concert was scheduled to start at 8.
After dinner, we could hear rumbling of thunder about the mountains. With rain in the forecast, we were in our seats by 7:30.
While waiting for the concert to start, occasionally, we would catch a glimpse of one of the musicians from the Pet Sounds Band coming on stage for a last minute equipment check. Even Al was backstage for some conversation.

At some point, everyone from the band cleared the stage. They disappeared into a couple of Shrine Mont houses that served as dressing rooms.
Prior to the start of the concert, the Director of the Shenandoah Valley Music Festival took the stage and made a few announcements.
Just before eight, the wind picked up, and by the time the concert started a steady rain was coming down.
From there, the band ambled on to the stage to applause, and when the audience saw Al, there was more applause.

The opening song was “California Girls,” and from that point on, it was like a gentle Pacific Ocean swell of Brian Wilson’s music had rolled into the tranquil Shenandoah Valley and the surrounding Blue Ridge Mountains.
Except for an intermission, the songs were non-stop. Al’s patter between songs was heartfelt and insightful. He did so with honesty, humor, and a respect for the creativity of Brian’s music.
We laughed as he shared how Dennis Wilson, the original surfer in the Beach Boys attempted to teach Al how to surf. Al said despite Dennis’ skilled instruction, he(Al) sunk like a stone into the Pacific.
In a little over two hours, this talented group of musicians and singers performed thirty four songs. I do not have the ears of a musician, but I heard no miscues.
This included complicated arrangements showcasing seven songs from Pet Sounds(1966) and seven songs from the Love You(1977) album.
The harmonies were crisp, clean, tight, and light as air.
Like the original Beach Boys, the band features strong solo vocalists.
Most notable is Al Jardine who will turn 84 in September. Al still sounds strong. Yes, a tour can wear down a lead singer’s voice, but his lead vocal on “Help Me Rhonda” sounded like 1965 again.
Al’s son, Matt, is blessed with a beautiful voice too. Matt is able to hit those Brian Wilson falsetto parts to perfection. His leads on songs that originally featured either Brian or Brian’s brother Carl’s voices were angelic. Matt also blends well with his dad.
Supplementing the lead vocals is guitarist, Rob Bonfiglio, who is married to Brian Wilson’s daughter, Carney. His lead vocal on “Sail On Sailor” from the 1972 Beach Boys’ album Holland was soulful and spirited. Former Beach Boy, Blondie Chaplain, who sang the lead on the original would have been proud of Rob’s work. Rob is also a fine guitar player.
That lead vocal work continued to Darian Sahanaja. Darian, the musical director for the band and keyboard master, shared his clear and powerful voice on “Darlin” and “I Can Hear Music.” Also, Darian took the leads on songs from Pet Sounds and Love You. Again, Carl Wilson, the Beach Boy who sang lead on those songs would have been impressed with Darian’s voice.
With a couple of the tunes from the Love You album, keyboard player, Gary Griffin, sounded just like Mike Love, and percussionist, Jim Laspesa, sounded like Brian Wilson’s back in 1977.
Instrumentally, all of these guys and one brave lady, keyboardist, Debbie Shair, are gifted musicians. They know their chops and the intricate arrangements found in each song.
Individually and collectively, they are able to reproduce the instrumental tracks from the original recordings. The 1960s session musicians the Wrecking Crew who played on lots of Beach Boys recordings would affirm the skills of the Pet Sounds Band.
The mastery of their musician skills were showcased nicely on the instrumental song, “Pet Sounds.”
Horn player, Paul Von Mertens, handles flute, a couple of saxophones, harmonica, and the bass harmonica. On any song that needs that extra touch, Paul is the guy who adds that depth to the background. Even in the same song, he is capable of switching instruments to meet the requirements of the arrangement.
Debbie Shair and Gary Griffin are a part of the keyboard team with Darian. Need a French horn or a synthesizer sound, Debbie and Gary have you covered. Plus, they provide back up vocals to the blend of harmonies.
And I’m not sure, but Debbie might be the secret choreographer who added the comical, maybe penguin like body movements to the song “Johnny Carson.” Her high leg kicks worked well with the song too.
Percussionist, Jim Laspesa, played to perfection the bicycle horn in the fade out to “You Still Believe In Me” and the slide whistle in “Heroes and Villains.” And Jim is part of the background vocals blend.
If there was a shortcoming to the show, it was that not all of the band was introduced.
On bass is the incomparable, Bob Lizik. Bob has been a part of this band when Brian Wilson started going back out on the road.
His playing is steady and seasoned. This includes the required nuances in every song like “Here Today” from Pet Sounds. Throughout the show, whether the song was simple or complicated, Bob was the foundation for the band.
Set up beside Bob is drummer, Mike D’Amico. Going back to the Wrecking Crew musicians, Mike reminds me of drummer, Hal Blaine.
Mike’s timing is remarkable. He is quick and powerful when needed, but he also possesses a deft, finesse for quieter songs like “In My Room.” Mike anchors and drives the energy of the band. He is relentless.
Tucked away behind the keyboard players is guitarist and backup vocalist, Emeen Zarookian. Emeen is an exceptionally gifted guitarist. I don’t know who found and added Emeen to the band, but that was a wise move. His guitar playing is superb.
No matter the song, Emeen captures with high quality the range of tone needed. His fingers can fly like on “Dance, Dance, Dance” or be graceful, subtle as found on “You Still Believe In Me.”
Vocals especially harmonies have always been a trademark of Brian Wilson and the recordings of the Beach Boys. As I said earlier, I do not have the ears of a musician, but the harmonies tonight were impeccable.
A clear example of this would be “Heroes and Villains.” These gifted singers captured every part of this complex, but magical song.
I could have sat in that pavilion and listened to this band sing and play until the first rays of the sun skimmed the crested tree lines of the Blue Ridge Mountains.
I don’t think I was the only one with that wish. I saw people sitting near me who seemed to stare into that wall of music mesmerized by what they were hearing and seeing.
For fans of the Beach Boys, 2026 has been busy.
In February, Capitol Records released a boxed set that focused on the Beach Boys’ 1977 album Love You.
Then later in May, Capitol Records released a double CD and two different high quality vinyl records celebrating the 60th anniversary of the landmark album Pet Sounds.
For Al Jardine and the Pet Sounds Band, they would be active as well. This included live concert performances of the entire Love You album in support of the box set release. Then in late June and early July, Al and the band toured in Australia and New Zealand.
Long time followers of the Beach Boys know that another founding member and Brian Wilson’s cousin, Mike Love, also tours using the name the Beach Boys. Years ago, it was determined that Mike had the rights to use the Beach Boys name for touring purposes.
It is noteworthy that in late July, Mike and his Beach Boys band paused the summer tour to allow Mike time to rest and “recharge.” Those remaining summer dates have been rescheduled for the fall.
My advice to you—if Al Jardine and the Pet Sounds Band come within driving distance of your home town—you must buy a ticket and go.
The show as billed is a tribute to the music of Brian Wilson. Al and the band’s loyalty and respect for Brian are present from beginning to end. If Brian’s music that he created with the Beach Boys is special to you, you have no options, you must attend.
In closing, I have no idea how much longer Al will continue to tour.
I hope Al will have the good sense to know when it is time to stop performing.
Personally, as much as Brian Wilson loved reconnecting with his fans by performing live, I think Brian stayed on the road too long.
And from the video clips I saw of Mike Love’s performances earlier this summer, I sense that he has over stayed his touring ability.
I hope Al out of respect and loyalty to Brian and the Pet Sounds Band will not stay on the road too long.
For now, I hope the remainder of the tour goes well for Al and the band.
Looking to the future, I would love for a double live album that captures the performances of this tour to be released. Not compiling an album for release would be an insult to the hearts and souls of the Pet Sounds Band.
Continuing that look into the future, might Al consider writing a book about all of his years as a Beach Boy. I think he could offer a unique perspective.
And finally thanks to everyone who is a part of the Shenandoah Valley Music Festival. The director told the audience this is year number sixty three for the organization.
I hope they can continue to be successful for a long, long time. It is a beautiful setting and venue at Shrine Mont in Orkney Springs—long may that stage host gifted musicians.


















